Murray Lachlan Young, The Mystery of the Raddlesham Mumps at Wiltons. Review.

I took Mr Pounce to this show as a belated birthday present along with a friend. 

The idea of a gothic tale told entirely in iambic pentameter might perhaps not seem a crowd pulling idea. Hold your horses though.

Wiltons Music Hall in all its decayed splendour is the ideal venue for this show. The theatre itself seems to involve itself in the whole thing; it is Raddlesham Mumps, a decaying stately pile riddled with steam punk gothic seediness, the set bleeds into the theatre and the theatre revels in the gore. Essentially this is site specific performance poetry without pretention.

The show is an hour of what Murray does best, narrative verse liberally larded with wit, humour and imagination, delivered in slightly bumbling manner (all part of the whole) designed to, seemingly, encourage the audience into viewing him as one might a well loved avuncular roue. with a score that adds to the proceedings subtly, a healthy dose of physical theatre and a touch of silliness.

the bardic tradition lives on.

It is important to emphasize that this is not a one man show. Joe Allen mutely provides sub titles throughout to wonderful effect and is the glue that binds it together. Both actors milk the proceedings with gusto.

I'm not here to tell you the plot, I'll leave that to Murray and Joe, other than to say it is, as advertised, a gothic tale of multiple early deaths ( a recurring theme in Murrays work, vide The 9 Dead Williams) .

I was slightly unneved to see children in the audience, expecting the bored chatter and itchy bummed fidgeting that normally chaperones little ones at such times. Not a chance, they were entranced from what I couls see and were, as children are, at ease expressing mirth when occasioned and encouraging the adults to do likewise.

Go and see this with the kids, it is a wonderful introduction to the wonders of theatre. You can spend the cash saved on babysitters in the bar.

There is only one more performance at Wiltons (tonight) but can be caught on tour soon. Check out venues and dates on Murrays website HERE


 After a post performance beer in the bar we moved on to Vout-O-Reenee's round the corner.... A story for another time.
 

Murray Lachlan Young's 'the Incomers'.

The writer, director and cast tell us about it.

Murray Lachlan Young's obit to Maggie poem.

Murray wrote the following for his BBC Radio 6 slot but the powers that beeb chose to spike it:

Maggie: Obit poem.   Murray Lachlan Young   12/04/013

Farewell to you Maggie Oh Maggie farewell

Some eulogise you, some give you hell

Repeating the phrases that caused notoriety

Stating there is no such thing as society

Friend to the bank, brutally frank

Reagan’s big pal, rode in a tank

You mobilized classes with social volte-faces

You mangled the unions, kicked euro arses

Maggie, Maggie, Maggie!

You parleyed with Pinochet, gifted the satirist.

Nelson Mandela, you branded a terrorist

Flogged council houses, sold the utilities

Founded new Labour in all probability

One usually lost if one stood up and fought yer

You hammered your colleagues like lambs to the slaughter

Stated the falklands were ‘ours’ in totality

Turned the big bang to a fiscal reality

Littered the city with monstrous earning

The lady you stated was never for turning

Your standing its seems in the final prognosis

Reviled and admired in similar doses

Some will remember the chill in your air

Some will remember your teeth and your hair

But most that you gave and you asked for no quarter

Maggie, Maggie, Maggie

Over and out

But not bad for a greengrocers daughter

Murray Lachlan Young on the radio.

Murray has a regular spot on Radio 4 this week. Catch it HERE

Murray Lachlan Young's 'Burlesque' at the Drill Hall. Now called 'The Incomers'!

Update. April 2013: Burlesque has now become 'The Incomers' and is currently touring. Click on the photo (right) for details.

I witnessed something very wonderful tonight.

In a small black lined room beneath the Drill Hall in London a cast of four, directed by Paul Jepson,  performed a read through of Murray Lachlan Young's verse play 'Burlesque'.

'For fuck's sake a read through of a verse play.' I hear you groan. Well my biddies twas a polished piece of Cornish granite slapped onto the London clay.

The plot of course was truly bonkers and all the more real for that; Murray, in order to be a great humourist, is firstly a great and attentive observer of our times... Or perhaps his times. It involved the visit by a London cokehead, Porsche driving wideboy and his hot young squeeze to old friends in rural Cornwall. It was all about power and of course the power of sex and of course that power belonged to the hot young squeeze. It however (like shakespeare) never once looked to farce to save it's bacon. I'm saying no more than that.

A verse play of this ambition could have been an awful thing, could have been bum numbingly Art house, could have been perverse. Murray's play is a delight; Playfully funny stabbed by daggers of reality, relationship truths, lies and insecurities. This was Joe Orton, Dylan Thomas and the Angry young Men on coke. I wish Ken Tynan had been here to witness it.

The players: Rory Wilton, Mary Woodvine, Jerome Wright and Kirsty Osmon were impeccably cast and did their job with skill, enthusiasm and joy.

All in all seriously good.

The development of Burlesque has only been possible through financial support from the National Lottery through Arts Council England. It needs extra funding and support now and if you love good British theatre give it a boost. Check out www.murraylachlanyoung.co.uk to find out how.

Matthew Linley, the producer deserves a namecheck too: www.matthewlinley.wordpress.com

Tom Baxter, Murray Lachlan Young and Vashti Baxter.

Ok. Murray is a friend and I've worked with him too but it is my blog! I don't know Tom or Vashti so this is a 60% unbiased review...

Vashti Baxter; legs, black tutu, black wig, electric guitar!.. Perfect. Backed by a drummer Vashti delivered a set of good songs that had no need of artifice (no faux American accent needed here) with intelligent lyrics and looking pretty comfortable doing so... Followed by:

Murray Lachlan Moung; legs, black garb, unruly hair, MCing himself out of the crowd, he's already one of us! Oh no he isn't. there is only one Murray; funny, very clever, a great performer and a blessing to poetry. And he can sing too!  great stuff.

Tom Baxter hit the stage alone but was soon joined by his band, and later by sister Vashti (talented family) and pleased everyone with his singular take on the 'bloke with a beard and guitar' which in other hands can be tiresome and hackneyed. At times there were hints of the late, great John Martyn; the benchmark for all blokes with beards and guitars for all time. Tom and crew filled the Tabernacle two nights running; testament to the quality of the acts.